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The storyline of from the Diary of Anne Frank represents the background environment of World War II. This is a young girl’s autobiography by Anne Frank with the expression of her thoughts in a diary. The dairy was gifted by her father on her 13th birthday. She named her diary Kitty and stored the experience of hiding herself from the Nazis during World War II. It also describes the depression story of the little girl as she was afraid of the war. She shared the incident of hiding and the secret annexe on the Prinsengracht 263 in Amsterdam with seven other people.
Image Coming soonWhat Makes Writing in a Diary a Strange Experience for Anne Frank?
Anne Frank received the diary as a gift from his father as a present on his 13th birthday. Before her 13th birthday, she never had a diary and did not have any experience writing a diary. Dairy writing was an unknown experience for her and she considered it her best friend. In this diary, she shared all the incidents she had gone through during World War II.Why Does Anne Want to keep a Diary?
Anne Frank always felt alone and worried so to get off all the commitment and pain she wanted to keep a diary. Anna did not have any friends and she could not find anyone to share the stories that made her distressed. She wanted to discover a true friend with whom she can share all the stories that bothered her.Why Did Anne Think she Could Confide More in her Diary than in People?
Anne felt that writing had more tolerance than people to listen to her stories. She could share all the thoughts that were keeping her disturbed and made her distressed. Therefore, it was more comfortable for her to document all kinds of reviews, imaginaries, and thoughts which she had in her senses. She kept the diary as her friend that could take all her thoughts without any interruption.Why Does Anne Provide a Brief Sketch of her Life?
Anne delivered a brief sketch that can portray an overview of her family and relatives. She believed that the sketch would help her imagine the experience she felt in the past and it will create a connection with the authors.What Tells you That Anne Loved her Grandmother?
The times when Anne’s parents went down to Hollan, Anne used to live with her grandmother. Anne was really close to her grandmother and she loved her. In the diary, Anne wrote, “no one knows how often I think of her and still love her (NCERT, 2023)”. Anne’s grandmother showed her love for Anne by celebrating Anne’s 13th birthday by lightening up one candle.Why was Mr Keesing Annoyed with Anne? What Did he ask her to do?
Mr Keesing did not like Anne as she was too talkative and due to this nature, Anne got punishments from him. He punished Anne by giving her additional homework to write essays to keep her silent and the subjects were consistently related to her personality. Anne described him in her diary with the statement of old fogey who teaches math. When Anne got continuous punishment and was dedicated to writing an essay on A chatterbox she decided to keep quiet.How Did Anne Justify her Being a Chatterbox in her Essay?
Anne explained her standing as a chatterbox in her essay by clarifying that it is due to her mother who was also very talkative and she referred the nature as an inherited student’s trait. Anne wrote about three pages of assignment to complete the task and she thought it would satisfy Mr Keesing. She also discussed the necessity of talking.Do you Think Mr Keesing was a Strict Teacher?
No, Mr Keesing was not a strict teacher as he gave more tasks as a punishment that did not justify a teacher being strict for the students. Any teacher would be upset easily if children kept talking inside the classroom. Mr Keesing was a good teacher who kept thinking about good for his students in the class.
Anne’s essay covered a poem about a mother duck and a father swan with three Baby ducklings and this poem showcased that, as babies were bitten for too much quacking. At the end of the poem, Mr Keesing took the jokes and meaning of the poem seriously . It made a good relationship between teacher and student and Mr Keesing started to laugh at Anne’s jokes and allowed her to talk.‘Kitty’ as an Insider or an Outsider
Anne delivered an introduction of her family in the diary as it became hard for others to recognise how a 13 years old girl could write a diary about her stories and experiences. ‘Kitty’ was a present for her on her birthday from her father and she considered it as her best friend and not as an outsider.How Does Anne feel About her Father, her Grandmother, Mrs Kuperus and Mr Keesing?
Anne kept writing the diary and made written about her feeling, and emotions she gained around the memories of her father, grandmother. Mrs Kuperus and Mr Keesing, have left unforgettable impressions on her intellect and impacted her life a lot. The way she symbolised all of them in her diary, disclosed that Anne was very satisfactory at comprehending people and at growing interpersonal relations.What Does Anne write in her First Essay?
Mr Keesing ordered Anne to write an essay on A Chatterbox and it was assigned as a punishment to her. She accepted it and start writing the assignment based on how her mother was talkative and it was difficult for her to less talk in class. It made the teacher laugh at the produced argument by Anne.Anne says Teachers are the Most Unpredictable. Is Mr Keesing Unpredictable?
Anne took the excellent instance of Mr Keesing as an unpredictable teacher because Mr Keesing seemed to be indifferent towards Annes’ behaviour. Anne also used a funny poem that made him laugh and allowed Anne to talk in the classroom, which seemed Mr Keesing unpredictable.FAQs
Q1. What was ‘Kitty’?
Ans. Kitty’ was a diary that Anne was gifted by her father on her 13th birthday and she kept it as her best friend to write down all her emotions and feelings.
Q2. What did Anne write in her diary?
Ans. The emotional diary of Anne represented anyone else to share and knew her personal thoughts. During World War II she kept hidden and there are different stories and experiences shared by her in her diary.
Q3. What was the relationship between Mr Keesing and Anne?
Ans. Mr Keesing did not like Anne for being talkative in the class, although, she was punished by writing an essay. Later, Mr Keesing laughed at her argument in the essay and allowed her to talk.
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Apple News+ launched in the UK yesterday, more than six months after it did so in the US.
I hadn’t been too impressed by the free offerings in Apple News and had actually removed the app from both my iPhone and iPad, but Apple News+ in the UK gave me a chance to re-evaluate it with its boosted content…
The name Apple News has always been somewhat misleading. What you get in reality are some newspapers and lots of magazines. That hasn’t changed. It would really be more accurate to name the service Apple Magazines (and Newspapers).
Indeed, the only UK newspaper added yesterday was The Times and its sister edition The Sunday Times. However, the Independent and Guardian were already on board the free offering so that does cover the three main papers for me.
But Apple sweetened the deal considerably by including access to two key US papers: the LA Times and Wall Street Journal.
I’m not really a magazine guy these days. When I reviewed Magzter Gold back in 2024, they gave me a one-year subscription, but I’d more-or-less stopped using it within a few weeks, and deleted the app long before the subscription expired.
Indeed the line between websites and magazines has now been blurred to such an extent, it’s not immediately obvious why the digital magazine format exists. My colleague Bradley made the same observation a few days ago.
The problem, in my opinion, is that people don’t care about digital magazines. We’ve tried this with the Daily magazine (which I enjoyed), with Newsstand, and now with Apple News+. The content isn’t necessarily the problem, but rather the packaging. Why do I care if an article is inside of an app that is then packaged inside of another thing? I want to read the article […]
If I wanted to read Athlon Sports on my iPad or iPhone, I’d be content just reading it on Safari with Reader View enabled. I don’t need it in a faux magazine to enjoy it.
I’m of much the same view. If a magazine has a website – and they all do – then I’ll tend to just go there.
That said, the deal does include three magazines worth money to me: New York, Scientific American, and The Atlantic.
So although I can look at the deal and on the one hand say I’m not getting many publications of interest to me, there’s another way of looking at it. Instead of saying Apple is selling me more than 150 publications, most of which don’t interest me, I can think of it as the company offering me a subscription to seven publications for just over a quid a month each. That’s a decent deal – with the bonus of a bunch of other magazines I might sample from time to time.The big unknown with Apple News+ UK
The first big unknown for me at present is how much of the Times and WSJ we’re getting. Both publications say it’s not everything, but it isn’t clear what that really means. My colleague Benjamin Mayo has found that if you see a paywalled piece on the web, you can go to the share sheet and select Open in Apple News … and so far it’s always been there.
Archives are one difference we do know about, but I honestly can’t think of a time when I’ve wanted to look up an old article in a specific publication. If I’m searching for an old news story, it’s typically because I want to remember when exactly something happened or remind myself of some detail, and then any Google search does the job perfectly well.
There may be some sleight of hand going on here. The papers want to retain their direct subscribers, so they need to be able to say Apple News+ subscribers don’t get everything – and they reinforce this idea by limiting discoverability in the app – but there is perhaps much more there than it would appear.
I will get one clue. Quite a lot of paywalled Times pieces pop up in my Facebook newsfeed, so I’ll be able to see whether I’m able to access all of these in Apple News+.The second unknown for me personally
Will I let it renew at the end of the month’s trial? I think that will be determined by two factors. First, as mentioned, whether or not I find missing content. Second, how often I actually open the app. I tend to get most of my news from the BBC News site and app, so when I read a paper, it’s more for long-form pieces: features and op-eds. And those are competing with other forms of entertainment, mostly books, social media, and the web.
If I do use the app regularly, and I do find all the content I want, then I think it’ll be a no-brainer. Let’s see …
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With so much happening in the jailbreak world today, it can be a challenge to keep up with everything.
That’s why we curate a weekly roundup post just like this one, to help our readers keep up with all the latest jailbreak tweak releases and news developments that they may have missed throughout the week.
In this piece, we’ll recap everything we showed you from Monday, June 7th to Sunday, June 13th. As usual, we’ll start by showcasing our favorite releases and then outline everything else afterward.Our favorite releases this week Airaw – $1.99
Airaw is a new jailbreak tweak for the CarPlay interface on your vehicle’s dashboard that lets users change various parameters such as the number of columns and rows, the wallpaper, and the Status Bar elements, among other things.
You can learn all about Airaw in our full review.Diary – FREE
It comes complete with a Windows 10-style login, Windows 10-style glyphs, and much more.
You can learn all about Diary in our full review.PadGrid – FREE
You can learn more about PadGrid and how it works in our full review.Paradise – $3.00
Subscribe to iDB on YouTube
Paradise is a new jailbreak tweak that promises more flexibility for Home Screen customization to jailbreakers on iOS 14.
It provides powerful tools for customizing app icons, and various Home Screen labels, along with batch offloading or uninstalling apps with a few taps.
You can learn more about Paradise and what it brings to the table in our full review.Suimitsuto – FREE
Suimitsuto is a jailbreak tweak that reimagines the notification banner system on pwned devices.
It can not only make notification banners more compact, but it offers customization options so that you can achieve the aesthetic you’re aiming for.
You can learn more about Suimitsuto and how it works in our full review.Other releases this week
Breezy: Lets you fake notifications on iOS 14 (free via titand3v repository – review)
ClassicFolders 3: Ports the iOS 6-style folders to iOS 13 and 14 devices ($1.99 via Packix repository)
Dark Maps: Force Dark Mode in Apple Maps (free via level3tjg repository – review)
DDLC-reniOS: A DDLC port for iOS (free via routinehub repository)
Dodo: A redesign for the Lock Screen ($2.00 via Packix repository – review)
Notify10: iOS 10-style notifications for iOS 13 & 14 (free via BigBoss repository)
NotTodayHomeScreenSideBar: Prevents the Today view sidebar from being pinned on the iPad’s Home Screen (free via PoomSmart repository)
OSLogger: Displays all app NSlogs (free via BigBoss repository)
SpotifyNoPodcasts: Hides Podcasts from the home and search interfaces of the Spotify app (free via level3tjg repository – review)
SpotifyNoShortcuts: Removes the shortcuts section from the Spotify app’s home page (free via level3tjg repository)
StepUp: Allows jailbreakers to customize the sensitivity of their handset’s volume buttons (free via ETHN repository – review)
UpVoteNag: Prevents the Reddit app from being able to nag you about upvotes (free via level3tjg repository)
WhatsappContacyAvatarProvider: Allows the Contacy tweak to work as expected with WhatsApp Messenger (free via Packix repository)
YTNoShorts: Removes Shorts from the YouTube app (free via MiRO repository)Everything else from this past week
15 things iOS 15 stole from the jailbreak community: Apple announced iOS & iPadOS 15 this past week, and many of their “new” features have been floating around in the jailbreak community for years.
Best jailbreak tweaks for Now Playing: We compiled a list of some of the best jailbreak tweaks for customizing the Now Playing interface in iOS 14. Be sure to give it a once over!
That pretty much sums everything up from this past week in the jailbreak community, but we’ll be right back next Sunday with a roundup just like this one , albeit with refreshed content that reflects this coming week’s new releases and news.
Miss last week’s roundup? Contacy, Flashlight Indicator, SafariAutoCorrect, & more…
Lenovo ThinkPhone by Motorola
Bogdan Petrovan / Android Authority
Our top smartphone from CES 2023 was the Lenovo ThinkPhone by Motorola, a business-focused flagship Android phone inspired by the classic line of notebooks. It blends a solid set of specs with an aramid fiber case and the signature red key to activate Lenovo’s Think 2 Think features. After almost ten years of Lenovo owning Motorola, it’s great to see them linking up in new ways. There’s no confirmed price yet for this phone and Lenovo will only commit to availability in the coming months.
Smart homeHomey Pro
If you have a smart home, you probably have a lot of redundant hubs along with devices that don’t work well together. Homey Pro solves these problems by acting as the one smart home hub to rule them all. It would take multiple articles to explain all the things Homey Pro can do and since it will be getting Matter and Thread support by the end of the year, it’s only going to get more powerful. Pre-orders are open now for $350 and the Homey Pro will start shipping in February.Roborock S8 Pro Ultra
As the top-of-the-line option in the new Roborock S8 line, the S8 Pro Ultra is an automated cleaning machine for most flooring surfaces. Paired with the RockDock Ultra, this robot can vacuum, mop, and even self-clean. Better yet, it self-empties, and can self-refill the water tank as well. Minimal effort for maximum clean, available soon for $1,599.99.Yeelight Cube
There are actually three products in the Yeelight Cube line: Matrix, Panel, and Spot. Each cube snaps together with other cubes (and a controller) to make fully customizable vertical or horizontal stacks. With these options, you can create hundreds of different configurations to fit your particular setup. Matter support out of the box, as well as Razer Chroma integration make these a must-buy for your gaming room. The Yeelight Cube and a controller will cost $75.99 while additional cubes will cost $45.99. Pre-orders will begin in March.Nanoleaf 4D
Nanoleaf 4D is a small camera that attaches to the top or bottom of your TV. It “watches” the content on your TV and automatically syncs your smart RGB lights to the color palette present on the screen at that moment. This is a platform-agnostic tool that works with literally anything that appears on your TV, whether that’s movies, games, or even a photo slideshow. Pricing and availability is unknown at the moment, but this nifty smart lighting system will land in 2023.
VR and ARTCL RayNeo X2
Remember Google Glass? TCL thinks the time is finally right for fully featured AR glasses that can do things like give you navigation directions, real-time translation, take photos/videos, and more. The TCL RayNeo X2 aren’t going to win any awards for being fashionable, but the tech inside these glasses is pretty impressive, and we felt like we had stepped into the future during our hands-on time. TCL is going to seed these to developers throughout early 2023 and eventually sell them commercially in China this year. A global release could follow, which might make them the first widely available AR glasses of this caliber.HTC Vive XR Elite
AudioSennheiser Conversation Clear Plus
The Sennheiser Conversation Clear Plus aren’t really headphones — although they can stream your music if you want them to — they are over-the-counter hearing aids. Users can better hear their world thanks to the speech enhancement and ambient noise reduction. We were impressed with their comfort and with how well we could hear the person in front of us in a crowded room filled with chatter.JBL Bar 1300X
The JBL Bar 1300X is one of the most functionality-filled soundbars we’ve ever seen. Not only did we enjoy the sound out of this 1,170W 3D soundbar, but the detachable rear satellite speakers immerse you in clear, loud sound when placed wirelessly across the room. These smaller units also operate as standalone Bluetooth speakers with up to 10 hours of battery life. The JBL Bar 1300X will be available later in February for $1,700.
Monitors and displaysLG Display 360-degree foldable OLED
This 8-inch OLED panel is similar to Samsung’s Galaxy Fold, except it can fold in both directions, giving you more flexibility for how you use your device. The display is durable enough to withstand being folded 200,000 times, making it one of the stronger foldables to date. We expect this display technology to be implemented in the next wave of foldable phones, hopefully delivering a far less visible crease.LG Meta
LG is bringing bigger and brighter OLED panels to the market, thanks to its new Meta technology. Not to be confused with Facebook’s parent company, Meta displays are up to 60% brighter than LG’s current OLED technology, with a peak brightness of 2,100 nits. The new tech uses a micro lens array, a layer of lenses that maximise light emission. LG plans to bring Meta panels to its TVs in the future, but no firm plans have been announced just yet.Dimenco Simulated Reality Samsung ViewFinity S9
Apple Studio Display look out, you have some new competition! The new Samsung ViewFinity S9 is a 27-inch prosumer monitor with an impressive resolution of 5,120 x 2,880 pixels. The new monitor includes several features you won’t find on Apple’s monitor, including support for HDR, easy rotation to use in portrait mode, and plenty of ports for connecting USB-C, HDMI, and DisplayPort devices. Though no exact pricing has been revealed just yet, the ViewFinity S9 is one of our top picks for the best of CES awards.
TVs and projectorsDisplaceTV
The first truly wireless TV that can stick to any surface using “active-loop” vacuum technology. The DisplaceTV can run on one to four swappable batteries for roughly 30 days. And, instead of using a remote, a pop-up camera captures motion and gesture controls. You can combine multiple TVs to get as big a picture as you’d like, depending on how big a wall you have. Reserve yours now for $2,999 for a December 2023 release, but do it fast as there are fewer than 50 left!Samsung The Premiere 8K
Samsung’s The Premiere 4K projector was already an amazing laser-powered ultra-short-throw projector that awed us in 2023. Now Samsung is back at it with an 8K version that can expand the image to up to 150 inches. And it’s so bright it can be enjoyed with the lights on!
LaptopsRazer Blade 18
The Razer Blade 18 is a monster of a laptop, both in appearance and under the hood. You get the latest and greatest silicon from Intel and NVIDIA, a blistering-fast 240Hz QHD+ display, and six booming speakers with THX support. The mix of power, specs, and style comes at a price (starting at $2,900), but you won’t look back when the Razer Blade 18 takes the place of your existing tower.HP Dragonfly Pro Chromebook ASUS Chromebook Vibe CX34 Flip
Gamers will love the ASUS Chromebook Vibe CX34 Flip. It comes with the usual gamer aesthetics, as well as powerful specs and a convertible form factor. You can get up to an Intel Core i7 processor, as much as 16GB of RAM, an RGB backlit keyboard, and even a stylus that docks straight into the laptop. Pricing and availability are still unknown for this machine.Lenovo Yoga Book 9i
When one 13.3-inch display isn’t enough, two will do. Lenovo’s Yoga Book 9i combines dual 2.8K OLED panels with a detachable keyboard and kickstand, for several flexible setups and tons of unique gestures. It has plenty of punch under the hood, like a 13th-gen Intel Core i7 processor, but you’d better be ready to open up your wallet to the tune of at least $2,000.
Jonathan Feist / Android Authority
Sony had something a bit different to announce at CES this year — a new car brand called Afeela. Built in partnership with Honda, Afeela combines Honda’s experience in the automotive industry with Sony’s high-end tech acumen to create the EV of the future. No pricing has been revealed just yet, though Sony plans to ship the first units in the US sometime in 2026.
The Naya Create is a completely modular split keyboard with a focus on ergonomics, allowing you to do everything from your fingertips. There are no wires needed; instead, the inner swappable modules provide power and charge wirelessly. It’s also fully programmable, meaning you can remap every key or make your own shortcuts. You can create your dream keyboard during the crowdfunding campaign starting in April.Razer Kiyo Pro Ultra
The Razer Kiyo Pro Ultra takes webcam camera video quality to the next level with the largest sensor to ever come to a webcam. The 1/1.2-inch sensor and ƒ/1.7 aperture make it one-of-a-kind, offering a true bokeh effect we know many of you love. It’s also aided by HDR and AI technology. Of course, all that power doesn’t come cheap: the Kiyo Pro Ultra costs $300 and is available to buy now.
Wearables and healthCitizen CZ Smart PQ2
Citizen’s second-generation CZ Smart shines with its new YouQ app. It incorporates fatigue and alertness technology developed by NASA to project your energy highs and lows and help you make the most of your day. Once the CZ Smart crafts your profile, it will provide recommendations tailored to boost your productivity and adapt to the prompts that help you the most. The Citizen CZ Smart Casual smartwatch costs $350 and is available to pre-order now.Somalytics SomaSleep
The SomaSleep is a prototype sleep mask for monitoring rapid eye movement (REM) at up to 1,000 times per second. The paper-thin nano-based capacitive sensor will also be made available for purchase separately (pictured above), meaning you will be able to use it for any gadget you can come up with. Get a good night’s sleep with the SomaSleep mask starting this December for $199.
That concludes our overview of the Best of CES Awards. Keep it tuned for more coverage from the show.
Part Three of a five-part series.
Wednesday, March 8, 2006
Wednesday gets off to a bad, bad start.
The morning is typical — a frantic rush to get breakfast eaten, lunches made, and everybody out the door on time. We arrive at the site and the first two jobs are easy, thanks to our new expertise: we clear a patch of weeds from a telephone pole and we tear down a rotted porch at the back of a trailer.
Then the plywood arrives.
Our job, we learn, is to lay down new plywood walls and floors throughout the wrecked trailer, using four hammers, two crowbars, a circular saw and a gas generator, and moldy eight-by-four slabs that have been donated from an amusement park in Washington, D.C. It’s about 9:30, and we’re supposed to finish at noon. Unlikely, we think, and even more unlikely as we watch Daryl, our coordinator from Rebuilding Northwest Florida, get ready to leave. Katie flags him down and asks if we could maybe have a tape measure and a pencil.
Cursing isn’t allowed on site, because we are, after all, representing Boston University, but much of it is done internally. We don’t have any nails. We don’t know if we are supposed to remove the linoleum from the kitchen before laying the plywood floor. And only two people in our crew have used a circular saw before, and neither of them feels particularly expert.
But the good thing about RNF, we’ve discovered, is that when you have to, you get to make your own rules. And luckily, Vernon Doucette, a photographer for BU Photo Services, who arrived on Tuesday to shoot pictures for BU Today and Bostonia, has some ideas about rules to get us through the day. It so happens that Vernon is a serious kayaker and a former Outward Bound instructor. Also, we are pleased to learn, he’s a pretty good construction manager.
The orders begin: sweep up everything off the floor or the plywood won’t lie even. Bring two pieces inside and then measure how much you need to cut. Wear goggles when you use a circular saw. At first, he goes back and forth between shooting and sawing, but eventually, he hands the camera over to Karen and dives full-force into the project. We set down the living room floor — or Vernon, Dan, and Katie do, fitting the pieces together like a jigsaw puzzle — and two-thirds of the bedroom. We don’t get to the walls or the living room, but Daryl doesn’t seem to mind. We are finished by 12:30.
Kendrick, a group leader, feels responsible for the morning’s confusion, and in the van on the way home, she apologizes. No big deal. At this point, everybody is thinking about lunch and our afternoon at the beach.
But the waves, which are enormous, feel amazing; Amy, Katie, Dan, Matt, and I spend nearly an hour diving through them. Vernon takes a well-deserved lunch break and comes back to snap pictures of us getting knocked around by six-foot swells. The images, I think, would make a good news headline: Boston University students drown — photographer captures it all.
We’re not sure what we’ll be doing tomorrow. It might be demolition, or it might be back to today’s trailer to finish the floors and walls. We’ve got our fingers collectively crossed for the former, but if we go back to today’s site at least we’ll be better off than where we started.
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An opalescent squid drifts in the inky darkness of the ocean at nighttime. A marmoset with a face full of terror leaps away from a lunging fox. Hot tongues of lava emit clouds of noxious steam. These are some of the moments captured by the winners of the 2023 London Natural History Museum’s annual Wildlife Photographer of the Year competition.
Wildlife photography requires a truly astounding amount of patience, planning, and luck. This year’s winners tracked colonies of army ants through the rainforest, camped out in snow-covered deserts, and hid behind underwater shipwrecks in an effort to showcase the diverse majesty of wild places and beings. And they weren’t alone: The contest received more than 48,000 entries from 100 different countries in its 55th running.
Photographer Yongqing Bao received the prestigious Wildlife Photographer of the Year award for “The moment,” a gripping action shot featuring a standoff between a marmoset and its foxy predator. According to the judges, the image deftly combines “horror and humor” to capture “the drama and intensity of nature.” The image was taken on the rarely photographed Qinghai-Tibet Plateau.
Ultimately, 19 winners were chosen for 18 different categories (with a joint award shared by two photographs for “Animal Behavior.”) These photographs, along with dozens of other notable submissions, will go on display at the London Natural History Museum starting Friday, October 18.
Another barred migrant Alejandro Prieto / Wildlife Photographer of the Year
Winner 2023, Wildlife Photojournalism: Single Image
Nikon D850 + Sigma 14–24mm f2.8mm lens at 16mm; 30 sec at f2.8; ISO 1600; remote control; Gitzo tripod; Epson projector
Under a luminous star-studded Arizona sky, an enormous image of a male jaguar is projected onto a section of the US-Mexico border fence—symbolic, says Alejandro Prieto, of “the jaguars’ past and future existence in the United States.” Today, the jaguar’s stronghold is in the Amazon, but historically, the range of this large, powerful cat included the southwestern US. Over the past century, human impact—from hunting, which was banned in 1997 when jaguars became a protected species, and habitat destruction—has resulted in the species becoming virtually extinct in the US. The photograph projected on the border wall is of a Mexican jaguar, captured with camera traps that Prieto has been setting on both sides of the border and monitoring for more than two years. The shot of the border fence was created to highlight President Trump’s plan to seal off the entire US‑Mexico frontier with an impenetrable wall and the impact it will have on the movement of wildlife, sealing the sad fate of jaguars in the US.
Night glow Cruz Erdmann / Wildlife Photographer of the Year
Winner 2023, 11-14 years old
Canon EOS 5D Mark III + 100mm f2.8 lens; 1/125 sec at f29; ISO 200; Ikelite DS161 strobe
Cruz Erdmann was on an organized night dive in the Lembeh Strait off North Sulawesi, Indonesia and, as an eager photographer and speedy swimmer, had been asked to hold back from the main group to allow slower swimmers a chance of photography. This was how he found himself over an unpromising sand flat, in just 10 feet of water. It was here that he encountered the pair of bigfin reef squid. They were engaged in courtship, involving a glowing, fast‑changing communication of lines, spots and stripes of varying shades and colors. One immediately jetted away, but the other—probably the male—hovered just long enough for Erdmann to capture an instant of its glowing underwater show.
The architectural army Daniel Kronauer / Wildlife Photographer of the Year
Winner 2023, Behavior: Invertebrates
Canon EOS 7D + 16–35mm f2.8 lens at 16mm + extension ring; 3.2 sec at f22; ISO 100; Canon Speedlite flash
At dusk, Daniel Kronauer tracked a colony of nomadic army ants as it moved, traveling up to a quarter of a mile through the rainforest near La Selva Biological Station, northeastern Costa Rica. While it was still dark, the ants would use their bodies to build a new daytime nest to house the queen and larvae. They would form a scaffold of vertical chains by interlocking claws on their feet and then create a network of chambers and tunnels into which the larvae and queen would be moved from the last nest. One night, the colony assembled in the open, against a fallen branch and atop two large leaves, creating a structure that spanned 20 inches and resembled “a living cathedral with three naves.”
The garden of eels David Doubilet / Wildlife Photographer of the Year
Winner 2023, Underwater
Nikon D3 + 17–35mm f2.8 lens at 19mm; 1/40 sec at f14; ISO 400; Seacam housing; aluminium plate + ballhead; remote trigger; Sea & Sea YS250 strobes (at half power)
This colony of garden eels was one of the largest David Doubilet had ever seen—at least two thirds the size of a football field, stretching down a steep sandy slope off Dauin, in the Philippines. These warm-water garden eels are extremely shy, vanishing into their sandy burrows the moment they sense anything unfamiliar. Doubilet placed his camera housing just within the colony and hid behind the remnants of a shipwreck. From there he could trigger the system remotely via a 40-foot extension cord. It was several hours before the eels dared to rise again to feed on the plankton that drifted by in the current. He gradually perfected his set-up, each time leaving an object where the camera had been so as not to surprise the eels when it reappeared. Several days later—now familiar with the eels’ rhythms and the path of the light—he began to get images he liked. When a small wrasse led a slender cornetfish through the gently swaying forms, he had his shot.
The equal match Ingo Arndt / Wildlife Photographer of the Year
Joint Winner 2023, Behavior: Mammals
Canon EOS-1D X Mark II + 600mm f4 lens; 1/3000 sec at f4; ISO 1000; Gitzo tripod
Fur flies as the puma launches her attack on the guanaco. For Ingo Arndt, the picture marked the culmination of seven months tracking wild pumas on foot, enduring extreme cold and biting winds in the Torres del Paine region of Patagonia, Chile. For half an hour, Arndt watched this female puma creep up on the large, male guanaco. When the puma was within about 30 feet, she sprinted and jumped. As her claws made contact, the guanaco twisted to the side, his last grassy mouthful flying in the wind. The puma then leapt on his back and tried to deliver a crushing bite to his neck. Running, he couldn’t throw her off, and it was only when he dropped his weight on her, seemingly deliberately, that she let go, just missing a kick that could easily have knocked out her teeth or broken bones. Four out of five puma hunts end like this—unsuccessfully.
Creation Luis Vilariño Lopez / Wildlife Photographer of the Year
Winner 2023, Earth’s Environments
Sony α7R III + 100–400mm f4.5–5.6 lens at 196mm; 1/4000 sec at f5.6; ISO 800
Red-hot lava tongues flow into the Pacific Ocean, producing huge plumes of noxious laze—a mix of acid steam and fine glass particles—as they meet the crashing waves. Kîlauea started spewing out lava through 24 fissures on its lower East Rift at the start of May 2023. In a matter of days, the lava had reached the Pacific on the island’s southeast coast and began the creation of a huge delta of new land. It would continue flowing for three months. By the time Luis Vilariño Lopez could hire a helicopter to fly over the area, the new land extended more than a mile from shore. Framing his shot through the helicopter’s open door, Vilariño Lopez captured the collision boundary between molten rock and water and the emergence of new land.
Snow exposure Max Waugh / Wildlife Photographer of the Year
Winner 2023, Black and White
Canon EOS-1D X + 100–400mm f5.6 lens at 200mm; 1/15 sec at f22 (+1 e/v); ISO 100
Face of deception Ripan Biswas / Wildlife Photographer of the Year
Winner 2023, Animal Portraits
Nikon D500 + 18–55mm lens (reverse mounted); 1/160 sec; ISO 200; Godox V860II flash
This may look like an ant, but then count its legs —and note those palps either side of the folded fangs. Ripan Biswas was photographing a red weaver ant colony in the subtropical forest of India’s Buxa Tiger Reserve, in West Bengal, when he spotted the odd-looking ant. On a close look, he realized it was a tiny ant-mimicking crab spider, just 1/5 of an inch long. Many spider species imitate ants in appearance and behavior—even smell. Infiltrating an ant colony can help a spider wanting to eat ants or to avoid being eaten by them or by predators that dislike ants. This particular spider seemed to be hunting.
Winner 2023, Animals in Their Environment
Nikon D5 + 600mm f4 lens; 1/1250 sec at f6.3 (+0.3 e/v); ISO 125; Gitzo GT5532S 6X tripod
A small herd of male chiru leaves a trail of footprints on a snow-veiled slope in the Kumukuli Desert of China’s Altun Shan National Nature Reserve. These nimble antelopes—the males with long, slender, black horns—are high-altitude specialists, found only on the Qinghai–Tibet Plateau. A million chiru once ranged across this vast plateau, but commercial hunting in the 1980s and 1990s left only about 70,000 individuals. In winter, many chiru migrate to the relative warmth of the remote Kumukuli Desert. For years, Shangzhen Fan has made the arduous, high-altitude journey to record them. On this day, the air was fresh and clear after heavy snow. Shadows flowed from the undulating slopes around a warm island of sand. From his vantage point more than half a mile, Fan drew the contrasting elements together before they vanished.
The moment Yongqing Bao / Wildlife Photographer of the Year
Joint Winner 2023, Behavior: Mammals
Canon EOS-1D X + 800mm f5.6 lens; 1/2500 sec at f5.6 (+0.67 e/v); ISO 640; Manfrotto carbon-fibre tripod + 509HD head
It was early spring on the alpine meadowland of the Qinghai–Tibet Plateau, in China’s Qilian Mountains National Nature Reserve, and very cold. The marmot was hungry. It was still in its winter coat and not long out of its six-month, winter hibernation, spent deep underground with the rest of its colony of 30 or so. It had spotted the fox an hour earlier, and sounded the alarm to warn its companions to get back underground. But the fox itself hadn’t reacted, and was still in the same position. So the marmot had ventured out of its burrow again to search for plants to graze on. The fox continued to lie still. Then suddenly she rushed forward. And with lightning reactions, Yongqing Bao seized his shot. His fast exposure froze the attack.
Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London.
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