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Penelopiad Reimagines The Odyssey through the Eyes of Penelope CFA stages Atwood’s spirited all-female tale

Christine Hamel (CFA’05) as Penelope in the College of Fine Arts production of Margaret Atwood’s The Penelopiad, a reinventing of Homer’s Odyssey with an all-female cast, plays tonight through March 2 at the Calderwood Pavilion’s Wimberly Theatre, Boston Center for the Arts. Photo by Cydney Scott

In Margaret Atwood’s play The Penelopiad, based on Homer’s epic The Odyssey, Odysseus’ spouse, Penelope, is portrayed in a way we’ve never known her: caustic, crafty, and unflinching. The biting, often giddy romp of a play, features an all-female cast, led by Christine Hamel (CFA’05), a College of Fine Arts assistant professor of theater. The School of Theatre production runs tonight through March 2 at the Calderwood Pavilion’s Wimberly Theatre at the Boston Center for the Arts.

In this contemporary reimagining of The Odyssey, which the author adapted from her 2005 novella, the dead Penelope narrates her tale from a 21st-century Hades, in a state she describes as “liplessness, breastlessness.” Joined in the underworld by her 12 unfaithful handmaidens, who were hanged upon Odysseus’ return, Penelope recounts her teenage marriage, her desolate Trojan War decades, and the way she outfoxed a parade of suitors during the wanderings of her husband, whose story we all know well.

Known primarily as a novelist (The Handmaid’s Tale, The Blind Assassin), Atwood has also written poetry collections. She has received numerous prizes, among them the Man Booker Prize.

Atwood’s play “is a wonderful blend of both classical and contemporary sensibilities,” says director Elaine Vaan Hogue (CFA’97), a CFA assistant professor and head of theater arts. “Her twist on this well-known myth turns it on its head by giving Penelope the opportunity to tell her story in her own voice.”

Vaan Hogue, whose wide range of directing credits includes the recent staging of The Kite Runner by New Repertory Theatre at the Arsenal Center for the Arts, notes that in Homer’s Odyssey, Penelope is the faithful, if occasionally restive, wife, who for part of her husband’s 20-year absence famously delays her suitors by weaving a burial shroud by day and unraveling it at night. But in the play, she lets loose, “exposing her human frailty by daring to speak without pretentiousness. Her vulnerability is revealed through her finely honed sense of humor and sarcasm,” says Vaan Hogue. As reimagined by the playwright, Penelope is exceedingly entertaining.

“It is an echo of an echo of an echo,” Atwood has said of her looking glass turn on the Homeric classic. “Both voices—that of Penelope, and that of the 12 handmaidens—speak from the Greek Underworld, where they are free to tell their story, and stretch credulity in The Odyssey.” In the play, Penelope “wants to tell” the audience “that she’s not what people thought, that other people had told stories about her, but now that she is down in the underworld she doesn’t care about social convention; she’s going to tell her own story,” Atwood said in a 2005 Guardian interview. “Penelope was short, and people emphasized her intelligence, because she obviously wasn’t as beautiful” as Helen of Troy. “By the time the suitors got around to her, she was quite old for those times, so you know they were after the loot.”

“The play spans 20 years, but its narrative arc is totally nontraditional,” says Hamel, who is joined in the cast by 12 acting students. “Atwood’s tone and point of view are so cheeky and wry that we can really play. Bringing these broadly drawn but oh-so-familiar male and female characters to life is joyful,” she adds, and the cast delights in poking holes in “one of the most famous texts in the canon of world literature.”

The Penelopiad runs tonight through March 2, with curtain times Fridays and Saturdays at 8 p.m., Sunday, February 24, at 2 p.m. (with talk-back), and Tuesday, Wednesday, and Thursday, February 26, 27, and 28, at 7:30 p.m. Tickets are $12 for the general public, $10 for BU alumni, WGBH members, Huntington Theatre Company subscribers, students, senior citizens, and groups of 10 or more. Members of the BU community can get one free ticket with BU ID at the door on the day of the performance, subject to availability. The Calderwood Pavilion is at the Boston Center for the Arts, 527 Tremont St., Boston. By public transportation, take the MBTA Green Line to the Copley Square stop or the Orange Line to Back Bay. Purchase tickets here, call 617-933-8600, or visit the Calderwood Pavilion box office.

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Big Eyes, Ethereum, And Uniswap: The New Favourites Of Top Crypto Analysts

Big Eyes: Simplifying DeFi Assets For The Average Investor

Big Eyes is a recently launched meme coin that is inspired by memes based on the life of a cat called Big Eyes, whose biggest complex was his eyes. Whenever he was called cute because of his big eyes, he thought it made him look meek and weak. After living a comfortable life in Washington DC, he was treated to a rude shock after being abandoned by his owners. What followed was a series of unfortunate events and a year of traveling that made him look at his life differently. He realized that his big eyes and cuteness were a strength that could make him rich through viral memes. And, the rest as they say is history. The underlying aim of designing a meme coin like Big Eyes was to bridge the gap between regular investors and decentralized finance (DeFi). Big Eyes seeks to encourage more people to benefit from DeFi protocols by making them less confusing and more accessible.

To facilitate various kinds of transactional purposes on its network, the platform has also launched a native token called BIG. The token has a supply of 200,000,000,000 units and will be available on presale. It can be used for purposes like staking, financing marketing campaigns for the platform, liquidity pool transactions, and for distributing rewards. The platform has set aside 90% of the token supply for presale. Also, no tax or charge would be levied at the sale or purchase of BIG Tokens.

If you are interested in purchasing BIG Tokens, you can use cryptocurrencies like BNB or ETH for this purpose. If you don’t have these cryptocurrencies, you can purchase them with a debit or credit card. The next thing that buyers need to ensure is that their digital wallet is compatible with Wallet Connect and is activated. The Big Eyes team recommends MetaMask for buyers using desktops and Trust Wallet for mobile phone users. In the last step, buyers have to select the payment method and make the payment. The purchased tokens will be made available after the presale ends.

Ethereum’s EIP 4844 Status Upgraded

Ethereum is among the most widely used blockchains in the world. The technology powers thousands of dApps, virtual machines, cryptocurrencies, and non-fungible tokens. It’s also the underlying technology of Ether cryptocurrency. The network has its native token called ETH which is the key cryptocurrency for the platform. The platform recently switched to the proof-of-stake consensus algorithm in a major software upgrade that was called “The Merge’. With the upgrade, the blockchain was able to reduce its energy costs by up to 99%. In a recent development, Ethereum has been in limelight because of its upcoming upgrade – Proto-danksharding or EIP 4844, which is a part of Ethereum’s rollup-centric scaling plan. On November 24, 2023, Ethereum Foundation’s Tim Beiki announced that the blockchain’s core developers have decided to change the status of five proposals including EIP 4844 to “considered for inclusion”.

Uniswap Allows NFT Trading On Its Network

Uniswap is a decentralized trading protocol for swapping cryptocurrencies and building user-friendly dApps. With Uniswap, developers can get access to Ethereum-compatible tools. Plus, there are starting guides, a Javascript software development kit, and documentation to help them with the protocol. As the platform has an open-source code, they can also tweak it according to their requirements. Its native token is UNI and it facilitates all kinds of transactional uses on the network. Recently, Uniswap announced that its users would now also be able to trade NFTs on its network across major marketplaces. It would be airdropping USD Coin worth $5 million for experienced Genie users and offer gas rebates to the first 22,000 buyers.

As far as cryptocurrency analysts who have reviewed the three options go, many are putting their weight behind Big Eyes because of the meme coin’s potential for growth over the long term. It has been garnering favourable reviews because of its functionality and is expected to smash many crypto records over time, as per these analysts.

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An Odyssey In Search Of Johnny Cash

An Odyssey in Search of Johnny Cash Telltales from the man in black

Country music legend Johnny Cash set a record 40 years ago by winning five Country Music Association Awards in a single night. The 43rd annual CMA Awards are this Wednesday, November 11. In the slide show above, tag along on a Johnny Cash journey — just be sure to keep a close watch on that heart of yours.

I was standing in the kitchen stirring a pot of tomato soup when an old friend of my mother’s called.

Kristi taught me how to ride a horse, steer a canoe, and drive a car. During my teenage years, she was the wise adult confidante who listened to my adolescent woes. By the time I reached adulthood, our relationship had developed into an easygoing friendship that transcended age and the nearly 700 miles separating Boston from my hometown. So when she asked if I’d go on vacation with her, I responded, “Hell, yeah!”

My last vacation with Kristi took place in 1988, when she, my mom, and I went to Florida. I was eight years old, and Kristi had a perm. “So,” I said, “where are we going?”

There was a slight pause. “I’d like to take a Johnny Cash pilgrimage,” she said.

Kristi’s obsession with the Man in Black had begun a year and a half earlier, around the time that 20th Century Fox released the Cash biopic Walk the Line. Kristi saw the film nine times — in the theater. Each time I went back to Ohio, her collection of Johnny Cash CDs, books, and DVDs had expanded. I jokingly referred to one of her bookcases as “the shrine.”

My first exposure to Johnny Cash came the day he died, September 12, 2003. I was working for a small newspaper in rural Virginia, and I laid out his obituary. I knew “Ring of Fire,” but my familiarity with the country singer ended there.

If anyone had told me that four years later to the day, I’d be standing by the man’s gravesite, I’d have laughed.

“NPR ran a two-hour Johnny Cash biography last week,” she announced, pulling out of the driveway. “I taped it.”

I opened one eye. “Seriously? It’s not even six in the morning.”

It was going to be a long ride.

Kristi snorted. “You’re making that up.”

“It’s the birthplace of American paleontology,” I added, closing the book with a thump. I yawned and stretched my arms. “God, I love a road trip!”

Kristi had spent months planning our pilgrimage. At first we’d meant to visit Nashville and Hendersonville, Tenn., the sprawling suburb where Johnny and June Carter Cash are buried. By September, the expedition also included two nights in Memphis and a side trip to Dyess, Ark.

“Arkansas?” I had shouted. “What the heck is in Arkansas?”

“That’s where Johnny Cash grew up,” Kristi said. “We can drive past his old house.”

We made a deal. I’d go to Dyess if she would agree to visit the National Civil Rights Museum in Memphis, shop at a Piggly Wiggly, eat fried okra, and listen to “Old Man River” while crossing the Mississippi into Arkansas. “You’re very weird,” she said.

“Hey,” I retorted, “I’m not stalking a dead guy.”

Midafternoon found us driving through Hendersonville in search of Caudill Drive and the scorched remains of Johnny Cash’s lakeside home. The 14,000-square-foot house had burned to the ground not long after Bee Gees vocalist Barry Gibb bought it in 2006. Cash’s 2002 music video “Hurt” was filmed inside, and a replica of the house appeared in Walk the Line.

“I thought he lived out in the middle of nowhere,” I said, eyeing rows of cookie-cutter mansions and cul-de-sacs.

“I think all of this sprouted up in the last decade or so,” Kristi replied. We rounded a slight bend, and on the shores of Old Hickory Lake stood charred ruins. All that was left was the stone foundation, a wooden fence, and the gatehouse. Legend has it that whenever Cash was in a rage, he threw something into the lake, and its muddy bottom is littered with busted guitars, booze bottles, and other debris.

We parked the van and wandered over to the fence. “Will you take some pictures?” Kristi asked.

I was a few yards down the road snapping photos when Kristi jogged over and excitedly grabbed my arm. “You see that guy cutting the grass next door? That’s Marty Stuart!”

I gave her a blank stare. “Who?”

“Marty Stuart! He was in Johnny Cash’s band back in the ’80s and was married to Cindy Cash for a few years.” She clapped her hands. “I can’t believe it! Our first celebrity sighting!”

“If I don’t know who the person is, I’m not sure it counts,” I replied.

* * *

Johnny Cash is buried at Hendersonville Memory Gardens. The cemetery opened in 1965, amidst acres of rolling farmland. But as the community grew, housing developments, fast-food restaurants, and strip malls cropped up faster than dandelions. Today the city’s main thoroughfare, Route 31 — also known as the Johnny Cash Parkway — is a wasteland of big-box retail stores, gas stations, and parking lots.

“It’s certainly not as picturesque as I’d imagined,” Kristi said.

Kristi silently knelt by the graves while I examined nearby plots. Other members of the Carter family — Mother Maybelle, June’s sisters, Anita and Helen, and her daughter Rosey — were there, and Merle Kilgore, who co-wrote “Ring of Fire” with June, was nearby.

Glancing back at Kristi, I wondered what it was about Johnny Cash that so fascinated her. Dozens of trinkets left by previous visitors proved she wasn’t alone, but what compelled her to seek out the old stomping grounds of a musician she never knew?

“Lots of stuff!” she replied. “The Country Music Hall of Fame, Lower Broadway, the Ryman Auditorium. And I want to hit up all the souvenir shops for Johnny Cash shirts.”

I raised an eyebrow and nodded at her black T-shirt, boldly emblazoned with the name Cash. “But I want more,” she said.

We arrived at Nashville’s Country Music Hall of Fame on the heels of a senior citizen tour group. The museum features memorabilia of more than 100 country music artists, including Hank Williams, Jim Reeves, and Loretta Lynn. But Kristi was interested only in the man who, at age 48, was the youngest living musician to be inducted.

We spent a few hours mulling over old guitars, 45s, and stage costumes. The exhibits were engaging, even for someone not particularly interested in country music. But Kristi was disappointed. “I thought they’d have more Johnny Cash stuff,” she grumbled.

“It’s the Country Music Hall of Fame,” I pointed out, “not the Johnny Cash Hall of Fame.”

She got her fix at our next stop. Marty Stuart, in addition to mowing his lawn, has one of the largest and most significant country music collections in Nashville, and it happened to be on display at the Tennessee State Museum. The exhibition, Sparkle and Twang: Marty Stuart’s American Musical Odyssey, contained more than 300 artifacts, including a pair of Gene Autry’s boots, Maybelle Carter’s autoharp, and Patsy Cline’s leather makeup kit. More important, it contained enough Johnny Cash paraphernalia to keep Kristi occupied for days. She roamed the museum in a state of wonder, examining every item while I fulfilled photo requests.

We stepped back into sweltering September heat long past lunchtime, grabbed some food from the van, and made our way to Lower Broadway, a 10-block stretch of restaurants, gift shops, and honky-tonk bars. We then ducked into the Ryman Auditorium — former home of the Grand Ole Opry broadcasts — before hitting up the souvenir stores. Kristi bought two T-shirts, two CDs, and three DVDs.

“I guess I know what we’ll be listening to on the way to Memphis,” I cracked.

She responded by whacking the back of my head.

* * *

“We need to stop at this rest area,” Kristi said.

I looked up in surprise. We were only an hour outside of Nashville. “You have to stop already?”

“Not really, but we’re coming up on the Johnny Cash rest area.”

I nearly choked on my orange juice. “The what?”

The stretch of I-40 between Nashville and Memphis is commonly referred to as the Music Highway, because every rest area is named in honor of a musician. And sure enough, mile marker 170 is Johnny Cash’s.

“How did you even know about this?” I demanded. She handed me a book, I Still Miss Someone: Friends and Family Remember Johnny Cash by Hugh Waddell. I scanned a page she’d marked with a post-it note. “Stop at the Johnny Cash rest area,” I read aloud. “Sit by the sign and write a poem.”

We didn’t write any poems, but we did take some pictures.

Kristi could barely contain her excitement as our guide, a young musician named Zach, led us into the studio. An enormous photograph of Johnny Cash, Elvis Presley, Carl Perkins, and Jerry Lee Lewis hung on the wall above some old recording equipment. It was taken on December 4, 1956, during an impromptu jam session — the only time all four musicians sang together.

Zach led us to an old-fashioned microphone. “This is the microphone that Elvis used to record ‘My Happiness,’” he said. “Anyone want to try it out?”

Of course, everyone took a turn at the microphone. “Maybe Johnny Cash used it, too,” Kristi whispered to me.

* * *

“Arkansas is pretty desolate,” Kristi said.

Since crossing the Mississippi, we’d seen nothing but cotton fields, mile after mile of spindly brown plants, fluffy white bolls drifting lazily into the sky.

We turned off the interstate and rolled down a country lane until we arrived in Dyess. Laid out in the shape of a wheel, the town consists of a post office, tiny town hall, and some trailers and boarded-up buildings.

Dyess was founded in 1934 as a resettlement colony during Franklin D. Roosevelt’s Works Progress Administration. At the height of the Great Depression, the community housed about 2,500 residents, including the Cash family. By 1950, when Cash joined the Air Force, the colony had faded, and today, only 515 residents remain.

A woman at the post office recognized us for who we were. “If you don’t live here, I know you’re here for Johnny,” she said. “There was a busload from Scotland that came through two days ago.”

She gave us directions to the old Cash homestead and encouraged us to knock on the owner’s door. “Tell him Janet from the post office sent you!” she called after us.

“Are you really going to knock?” I asked as Kristi pulled into the driveway.

“No,” she replied. “That just seems too …”

“Obsessive?” I suggested. “Stalkerish?”

She glared. “Invasive.”

We climbed out of the van, giggling at the absurdity of the situation. Here we were in Arkansas, staking out a dead man’s house. It reminded me of the time Kristi and I broke into an abandoned log cabin at Spangler Park. I was seven, utterly intrigued by this mysterious structure in the woods. My parents never let me explore it, but Kristi did. She was always my coconspirator, my partner in crime.

Shaking with laughter, I snapped a photo of her standing in front of the house. “Thank you,” I whispered.

That night, back in Memphis, we walked the length of Beale Street. Blues drifted from clubs, and the air was heavy with the smoky scent of barbecued ribs. We splurged and took a ride through the city in a horse-drawn carriage. It was just about perfect.

The nearest Piggly Wiggly was on Elvis Presley Boulevard, a few blocks away from Graceland. We bought bananas. “The Piggly Wiggly was the country’s first self-serving grocery store,” I told Kristi as we waited in the checkout line.

“Is that why we had to come here?” she asked.

“No,” I replied. “I just really like the name.”

Neither of us had any interest in visiting Graceland, but as long as we were in the neighborhood, we figured we should at least walk past it. We didn’t see much. A woman wearing a glittery Elvis Presley shirt and bejeweled sunglasses walked past us. “I think Elvis fans are even weirder than Johnny Cash ones,” I said.

Kristi nodded. “Hey, do you mind if we stop at the cemetery when we get back to Hendersonville?”

My jaw dropped. “You want to go back?”

She blushed. “Well, I wasn’t wearing a Johnny Cash T-shirt the first time we went.”

The sun was beginning to set when we pulled into Hendersonville Memory Gardens. I followed Kristi back to the Cash plot and waited while she stood at the grave, her hands jammed in her pockets. I turned away to give her some privacy, and when I looked back, she was scribbling something on the back of a business card.

“Are you leaving him a note?” I asked.

She laughed. “Shut up. And don’t judge me.”

“Oh, it’s way too late for that,” I said.

As we walked back to the van, grasshoppers leaped across the wilted lawn, their chirping overriding the hum of traffic on Route 31.

“Kris?”

“Hmm.”

“Why Johnny Cash?” I finally asked. “What is it about this guy…”

She shrugged. “Back when I was a kid, I used to watch his TV show every week. And my dad listened to him.”

Kristi didn’t talk about her childhood. I knew only that her parents divorced when she was four, and although she adored her father, she saw him rarely. He died when she was 18.

The pilgrimage remained unconventional, but made more sense now. The journey wasn’t really about tracking down Johnny Cash the musician, celebrating Johnny Cash the icon, or ruminating about Johnny Cash, the Man in Black. It was about using Johnny Cash as a connection, a way for Kristi to acknowledge that she “still missed someone.”

“I’m glad I came with you,” I said.

She smiled. “Me, too.”

The 43rd annual Country Music Association Awards air on Wednesday, November 11, on WCVB-TV, Channel 5, at 8 p.m.

Davide Nardi (CAS’11) will perform at BU Central’s Acoustic Café on Saturday, November 14, at 9 p.m.

Vicky Waltz can be reached at [email protected].

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The Ultimate Guide To Protecting Your Private Information In Notes From The Prying Eyes

According to Apple, Notes is one of the most popular and most-frequently used stock applications on the iPhone, iPod touch and iPad.

People use Notes for everything from memorizing recipes to keeping track of errands, creating shopping lists, storing inspirational quotes and even passwords, codes and medical data.

Not all notes contain sensitive information, but many do. Beginning with iOS 9.3 and OS X El Capitan 10.11.4, you can protect your notes with a password or Touch ID.

In this tutorial, you’ll learn how to set up Notes protection, secure items on a note-by-note basis so no one can view their contents and more.

The Notes app on iOS and macOS lets you define a single password to secure specific notes that you want to lock. The password protects both your iCloud notes and ones stored locally on your device. On an iPhone or iPad with Touch ID, you can optionally choose to use your fingerprint to unlock your notes.

A protected, locked note is denoted with the unlocked icon next to it and displays just the title in the list and the date it was last edited.

Before we proceed, watch Andrew’s video overview of the password-protected Notes.

Pre-requisites

As mentioned, prior iOS and macOS releases don’t support password-protection in Notes. Securing your notes with a password or Touch ID requires:

iPhone, iPod touch or iPad with iOS 9.3 or later

Intel-based Mac running El Capitan 10.11.4 or later

iCloud syncing of Notes enabled in Settings → Apple ID → iCloud on iPhone, iPod touch and iPad, and in System Preferences → iCloud on Mac

You can view locked notes with the web app at chúng tôi but it does not yet support adding/removing a password lock and changing/resetting your password if you forget it.

Types of notes that can be password-protected

The following notes can be protected with a password and Touch ID:

Notes in your iCloud account

Local notes stored on your device (in your ‘On My iPhone/Mac’ account)

Notes that include images, sketches, maps and web attachments

You cannot password-protect the following notes:

Notes that include other types of attachments like PDFs, audio, video, Keynote, Pages or Numbers documents

Notes in other online accounts, such as a Yahoo or Google account

Attempting to protect notes that contain these attachments will yield an error message stating that locked notes can contain only image, sketch, map and web attachments.

Your Notes password is used for unlocking any password-protected note across any of the devices that are authorized with the same Apple ID/iCloud account.

How to set Notes password Settings on iPhone and iPad:

1) Go to Settings → Notes → Password on your iOS device.

2) Enter a custom password for the Notes app, enter it again in the Verify field, then tap Done to save the changes.

Notes on iPhone and iPad:

You can also create a password directly in Notes for iPhone, iPod touch and iPad.

1) Tap Lock Note in Notes’ Share menu.

2) Enter a custom password for the Notes app, enter it again in the Verify field, then tap Done to save the changes.

Notes on Mac:

On the Mac, a password for Notes is set in the app, not through System Preferences.

Do yourself a favor: create a good password hint

You’re wholeheartedly recommended to add a hint for your Notes password.

Please don’t be lazy—creating a password hint should drastically reduce chances of losing access to password-protected notes should you forget your Notes password.

It should be something that you and only you can grasp the meaning of. The password hint appears if you enter the wrong password three consecutive times. Wise users will avoid using their iOS passcode or Mac login password as their Notes password.

A properly chosen hint will help you remember the password.

If you haven’t added a hint and have forgotten your password, you won’t be able to view existing locked notes. And, don’t count on Apple to help you regain access to locked notes because these are encrypted and Apple doesn’t have the keys to decrypt their contents.

You can reset your Notes password, as described further below, but this won’t give you access to the notes protected with your old password.

How to add a password lock to a note

Adding a password lock is the first step toward keeping your notes safe from prying eyes. Adding a password lock to a note isn’t the same as locking a note: it just adds a lock, without actually hiding contents of the note.

iPhone and iPad:

1) Tap Lock Note in the Share menu of the note you wish to add a password lock to.

2) Enter your Notes password and tap OK to add a password lock to this note.

Mac:

1) Select the note to add a password lock to and choose File → Lock This Note.

How to lock a note

When you add a password lock to a note, its contents isn’t automatically hidden from view until you specifically choose to lock that particular note.

iPhone and iPad:

1) Tap your note in the list and then hit the unlocked button at the top to lock it.

Mac:

1) Select the note to lock and choose File → Lock This Note in the menu.

Don’t worry about forgetting to lock a note: password-protected notes automatically lock after inactivity, if your device locks, goes to sleep or you quit Notes.

How to view a locked note

Before any locked note can be opened, you must provide your password or verify with Touch ID. For the sake of your own security, locked notes stay open for up to three minutes. Furthermore, password-protected notes will automatically lock with inactivity, when you close the Notes app or your device goes to sleep.

iPhone and iPad:

1) Tap a locked note. A “This Note is Locked” message appears.

2) Now tap View Note.

3) Type the password and then hit OK to reveal contents of the note, or use fingerprint verification on a Touch ID-enabled iPhone or iPad to view this note.

Tip: You can also tap the lock icon at the top to unlock the note.

Mac:

1) Select a locked note.

2) Type your password and then press Return to reveal its contents.

After entering your Notes password for one locked note, you can view other locked notes without entering it again as long as you’re working in Notes.

How to quickly hide contents of all unlocked notes

Notes remain unlocked for your current Notes session for up to three minutes so you can easily view them as you work, jump to another note, copy and paste information from other apps and more, but you can also lock them manually.

iPhone and iPad:

1) Tap Lock Now at the bottom of the Notes screen.

This shall immediately lock any unlocked notes in one go.

Mac:

1) Choose File → Close All Locked Notes.

This shall immediately hide contents of any unlocked notes from view.

After choosing this option, opening any previously unlocked note will require you to re-enter your Notes password or verify with Touch ID.

How to remove a password lock from a note

When you remove a password lock from a note, it’s gone on all your devices that use the same Apple ID. Removing a password lock from a note removes password-protection and reveals contents of that particular note until you re-add a password lock to it. 

iPhone and iPad:

1) Open a locked note and provide your password or verify with Touch ID, if asked.

2) Tap Remove Lock in the Share menu.

Mac:

1) In the Notes menu, chose File → Remove Lock.

2) Enter your password to remove the lock from this note.

How to change your Notes password

Changing your Notes password will immediately apply the new one to any protected notes.

iPhone and iPad:

1) Go to Settings → Notes → Password and tap Change Password.

2) Enter the old password, then your new password and confirm it in the Verify field.

3) Optionally provide a password hint and tap Done to save the changes.

Mac:

How to reset Notes password

Resetting your Notes password permits you to create a new one for future notes, but at a significant cost: all of the existing password-protected notes shall still have your old password in effect.

iPhone and iPad:

1) Tap Settings → Notes → Password → Change Password → Reset Password.

2) Enter your Apple ID/iCloud password.

3) Confirm the action by tapping Reset Password.

4) Choose your new password and password hint.

Mac:

2) Enter your Apple ID/iCloud password to continue.

4) Enter your new password and password hint.

Important tidbits about resetting Notes password

Resetting your Notes password lets you protect notes that you create from that point onward with your new password, but it won’t unlock any notes that you locked using long-forgotten password. Think twice before resetting your password just for the kicks because the interface doesn’t help you distinguish whether a note has been protected with one of your old passwords or locked with your newly chosen password.

Thankfully, there’s a workaround to this dilemma.

If you see a wrong password alert accompanied by a hint for your old password—that note uses your old password. And assuming you remember your old password, and enter it, the app will offer to update that note’s password to your current one.

A Notes web app at chúng tôi is less capable than its mobile and desktop counterparts.

To perform other tasks listed below, you must use the Notes app on one of your devices with iOS 9.3 or later or OS Xv10.11.4 or later:

Add a password lock to a note

Remove a password lock from a note

Change the password for locked notes

Reset the password if you forget it

“If you ever forget your password for locked notes, and you reset it using Notes on a device with iOS 9.3 or later or OS X v10.11.4 or later, entering your password for one locked note lets you view all locked notes that use the same password,” Apple states.

Need help? Ask iDB!

Problems with your Apple device? Not sure how to do certain things on Apple’s many software platforms?

The Lock Of The Irish

The Lock of the Irish Fresh from Galway, Gerard D’Arcy started at BU in 1958

Locksmith Gerard D’Arcy marks 50 years of working for BU. Photo by Kalman Zabarsky

Gerard D’Arcy was just two weeks off the boat from Galway, Ireland, when he started cleaning windows and mopping floors at Boston University. He was making $1.31 an hour, and Dwight D. Eisenhower was in the White House.

“I remember a phone call cost 10 cents to make,” says D’Arcy, now 73. “You’d be looking at the 10 cents thinking, should I make the phone call or keep it? I might need it to eat sometime.”

D’Arcy is celebrating 50 years of working at the University, having first punched in as a custodian before moving on to groundskeeper, truck driver, foreman of trucking and grounds, and ultimately to the lock shop, where he’s now lead locksmith. And when you work someplace for half a century, a certain lore builds up around you.

“Supposedly, I started on St. Patrick’s Day 1958, can you believe that?” D’Arcy says in a soft Irish lilt. “I always take St. Patrick’s Day off. So actually, I started the day after.”

For the past 30 years, D’Arcy has been repairing, replacing, installing, and popping locks all over BU. And although he doesn’t like to tell tales out of school, he says he’s faced his share of rescue-me moments.

“I remember once, in West Campus, two boys were supposedly locked in a room with two girls,” D’Arcy recalls. “I went over and knocked on the door. I just opened it, and the girls looked at the boys and said, ‘Hey, you told us you couldn’t get out.’”

William Walter, assistant vice president for facilities management, says that when it comes to security, D’Arcy has seen and done it all, making him the ideal mentor for the other locksmiths, as well as a calming presence at the scene of a break-in.

“Ninety percent of all the lock information on campus is in Gerry’s head,” Walter says. “Before there were computers, there was Gerry.”

The introduction of swipe-card locks was a big change on campus, D’Arcy says, but what staggers him most is the school’s ever-expanding size. In 1958, the University had only a half-dozen or so buildings. Today,almost 400 structures are scattered over both campuses, housing some11,000 students and rental tenants.

“Think of it as two-and-a-half to three locks per person,” he says. “Each person on campus has a door and a desk. The students have a door and a mailbox. That’s a lot of locks.”

D’Arcy, who is married and has three children and one grandchild, has no plans to retire.

“I’ve never given it a thought,” he says. “I’m saying that in all honesty. It’d be up to my wife, really. Whatever she says. I never plan too far ahead anyway. It really doesn’t mean a thing — 50 years or 5 years. When you come in the morning that means something. You feel good about being able to come to work, and having a job.”

Caleb Daniloff can be reached at [email protected].

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Case Study Ii – Creation And Alteration Of Vouchers Through Vb

 PDF

The following interface has been designed for Receipt Voucher Entry.

On hitting Option Create, it enters a new form designed for Receipt Creation as shown below.

The Masters created in TallyPrime are collected and being displayed for selection by the user. Collections pertaining to Cash or Bank Ledgers and Party Ledgers have been written in a TDL File which must be associated before executing this VB code.

The VB Code for the same is:

Dim ComboString1 As String

Dim ComboString2 As String

Dim ComboString3 As String

Dim ComboString11 As String

Dim ComboString21 As String

Dim ComboString31 As String

ComboString11 = Combo1.Text

ComboString21 = Combo2.Text

ComboString31 = Text5.Text

ComboString1 = Combo1.Text

ComboString2 = Combo2.Text

ComboString3 = Text5.Text

If chúng tôi = “” Or chúng tôi = “” _ Or chúng tôi = “” Or chúng tôi = “” Then MsgBox “Enters All The information”, _

vbApplicationModal, “Voucher Creation”

Else

date2 = Format(Text1.Text, “dd/mm/yyyy”) Temp = Str$(Text4.Text * -1)

If InStrRev(ComboString11, “&”) Then ComboString1 = Replace(ComboString11, “&”, “” & “”)

End If

If InStrRev(ComboString21, “&”) Then ComboString2 = Replace(ComboString21, “&”, “” & “”)

End If

If InStrRev(ComboString31, “&”) Then ComboString3 = Replace(ComboString31, “&”, “” & “”)

End If

‘ Response from Tally – ServerHTTP.responseText responsstr = ServerHTTP.responseText

XMLDOM.loadXML (responsstr)

MsgBox “Response String ” + responsstr Set CHILDNODE = _

XMLDOM.selectNodes(“ENVELOPE/BODY/DATA/IMPORTRESULT/LASTVCHID”) MsgBox “Voucher Created with MASTER ID ” +

CHILDNODE(0).Text, ,”Voucher Creation”

Else

MsgBox “Failed to POST”

End If

responsestr = ServerHTTP.responseText chúng tôi = “”

Text5.Text = “”

End If

End Sub

Similar to Master Import, the following VB Code snippet sends the above generated XML Data to TallyPrime which is running at a predefined port.

ServerHTTP.send xmlstc

On creating Vouchers in TallyPrime, it sends the Response is parsed and Master ID is displayed as shown above.

The above Screen displays the Receipt Entry created from the external Interface. 

The above Interface is designed for Receipt Alteration based on Master ID of all the Vouchers. It lists the Master IDs of all the Receipt Vouchers in the List Box. On selection of a Master ID, it extracts all the Info pertaining to the selected Voucher as shown in the next figure.

The above Interface displays the details of the Voucher pertaining to the selected Master ID. Only Alteration of Amount and Narration have been allowed in the external interface alteration.

Amount has been altered from 12000 to 12600. On hitting Alter, XML Fragment will be generated and sent to Tally running at a predefined port.

XML generated for Altering the above is:

Dim ComboString1 As String

Dim ComboString2 As String

Dim ComboString3 As String

Dim ComboString11 As String

Dim ComboString21 As String

Dim ComboString31 As String

ComboString11 = Text2.Text

ComboString21 = Text3.Text

ComboString31 = Text5.Text

ComboString1 = Text2.Text

ComboString2 = Text3.Text

ComboString3 = Text5.Text

If InStrRev(ComboString11, “&”) Then

ComboString1 = Replace(ComboString11, “&”, “” & “”)

End If

If InStrRev(ComboString21, “&”) Then

ComboString2 = Replace(ComboString21, “&”, “” & “”)

End If

If InStrRev(ComboString31, “&”) Then

ComboString3 = Replace(ComboString31, “&”, “” & “”)

End If

date2 = Format(Text1.Text, “dd-mmm-yyyy”) If chúng tôi = “” Then

MsgBox (“Please enter some value”) Text4.SetFocus

Else

Temp = Str$(Text4.Text * -1) xmlstc = _

responsstr = ServerHTTP.responseText

MsgBox “Save Successful”, vbOKOnly, “Voucher : “

Else

MsgBox responsstr MsgBox “Failed to POST”

End If

Text1.Text = “”

Text2.Text = “”

Text3.Text = “”

Text4.Text = “”

Text5.Text = “”

Text6.Text = “”

Text7.Text = “”

End If

End Sub

On executing the above code, the Tally Voucher containing the above selected Master ID gets altered with the given Amount and Narration details.

The above TallyPrime Screen displays the Voucher which has been altered from an external interface application.

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